In the Terminology of Art Value Sometimes Called Tone Refers to the

Art History Terms

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Like any artistic field, art history has its own linguistic communication. While this reality can be overwhelming for aspiring art historians, having a handy glossary of art terms can make analyzing a piece of work of art a lot less intimidating.

In this list, you'll find 25 words that will help you talk over art with ease. Ranging from general concepts, similar brushwork and composition, to specific techniques, including chiaroscuroandtrompe l'oeil, this arsenal of art terms offers everything you need to make the nearly out of your next museum visit.

Clarify art like a professional person with this art history glossary.

Abstract

Breaking away from the figurative representation of objects,abstract fine art reimagines imagery as a study of the relationship betwixt shape, form, color, and line. Brainchild occurs on a continuum, including the fractured-however-recognizable forms of Cubism and the totally non-pictorial nature of Abstruse Expressionism.

Aerial Perspective

Equally known equally atmospheric perspective, this method for creating depth in two-dimensional artworks focuses on the idea that the further an object is from the foreground, the lighter in tone and hue the color will be. Past exaggerating the divergence in these tones, artists can use aerial perspective to create drama and establish the illusion of infinite on the picture plane.

Assemblage

This creative form or medium uses a mix of materials that create three-dimensional layers from a fixed based. The usage of different materials makes it similar to collage, but in a three-dimensional form. Assemblage has its origins in Cubism and the work of artists like Man Ray and Vladimir Tatlin, who frequently used institute objects in their artwork.

Avant-garde

The French term advanced literally translates to "advance guard," but is used to draw artworks, movements, or artists that are experimental and forwards-thinking.

Biomorphic

Biomorphic artwork is art that, while remaining abstract, evokes the course and shape of natural and living organisms. The term was starting time used relating to fine art in the mid-1930s and has been connected with Surrealism and Cubism. Antoni Gaudí'due south Sagrada Familia is an example of architecture that has been characterized equally biomorphic.

Brushwork

Brushwork refers to the mode a painter applies pigment to a surface. Information technology is typically characterized by the size, texture, and precision of the strokes. For case, brushstroke may be described as "tight" or "loose" depending on how visible they are to the naked heart.

Beginner's Art History Glossary

Oil painting on canvas (Photograph: Stock Photos from Sweet Art/Shutterstock)

Chiaroscuro

Italian for "light-dark," chiaroscuro is the employ of strong contrasts between luminosity and shadow to achieve a sense of volume and dimensionality. This unique technique was developed during the Italian Renaissance by Leonard da Vinci, the Baroque period by Caravaggio, and the Dutch Gilded Age by Rembrandt.

Limerick

The limerick of a piece of work of art is the fashion in which its visual elements are arranged, specially in relationship to ane another.

Conceptual

This 20th-century art form developed in the 1960s, when artists began to emphasize ideas and concepts over the finished product. Fine art that is conceptual breaks complimentary from all the standard rules and can take whatever form from sculpture and painting to happenings and performances.

Contour

As the outline of something, the profile is 1 of the edifice blocks of drawing. Using different profile lines tin can dramatically change the way an artwork appears and is virtually evident in line art.The Danceby Henri Matisse is just 1 instance of a work of fine art known for its distinct contours.

Contrapposto

In sculpture, contrapposto ("counterpose" in Italian) is an asymmetrical posture in which most of a effigy's weight is distributed onto ane foot. This results in a realistic stance, equally famously axiomatic in Michelangelo'due southDavid statue.

Figurative

A work of fine art is considered figurative when its subject matter is representational.

Foreground

The foreground of a work of art is the function of the limerick that is closest to the viewer. It is typically discernible from the background, which appears to be further away.

Foreshortening

Foreshortening is a technique in which an artist distorts perspective to evoke an illusion of depth. Foreshortened subjects often announced to recede into the picture show plane.

Genre

A genre refers to a type of fine art (typically painting). Examples of genres include landscape and still life.

Iconography

Iconography refers to the subject field matter, or images, used to convey meaning or communicate a message in a work of art.

Impasto

This Italian word for "mixture" refers to thick layers of paint used to create texture. While it was first used by Venetian painters during the Italian Renaissance, it actually took hold in the 19th century. Renowned landscape painter J.Thou.W. Turner used impasto to build layers of color and drama in his work. Painters oftentimes use palette knives for this technique, which is meant to emphasize their talent in manipulating their chosen medium.

Medium

A medium is the material used to create fine art. Examples of mediums are watercolor paint, oil, pastel, marble, and charcoal.

Modern

Equally a movement, the term "mod" refers to art created betwixt the onset of Impressionism and Pop Art, which ushered in contemporary art. On a more general scale, notwithstanding, "modern" tin can mean electric current or cutting-edge.

Motif

In the visual arts, a motif is an element of iconography. In paintings, a motif can refer to whatever pictorial characteristic of the composition. In the decorative arts and architecture, it often denotes a recognizable symbol that repeats.

Narrative

Narrative, in terms of art history, is the visual storytelling that occurs inside a piece of art. While not every piece of art will have a clear story, narrative art asks painters and sculptors to use visual cues in guild to lead viewers through a series of events.

Pentimento

Pentimento ("repentance" in Italian) refers to the presence of prove that an artist has painted over a previously-rendered subject. In The Onetime Guitarist by Pablo Picasso, for example, the vague outline of a woman's face is credible beneath the final brushstrokes.

Perspective

Perspective is the representation of 3-dimensional depth and space on a flat surface. At that place are two main types of perspective: linear and atmospheric. Linear perspective employs intersecting lines and vanishing points as a means to brand objects appear far away. According to Leonardo da Vinci in A Treatise on Painting, atmospheric perspective, on the other hand, illustrates the idea that "colors get weaker in proportion to their altitude from the person who is looking at them" through tonal changes.

Scale

Calibration refers to the size of an object in relation to another. Often, as in the case of big-calibration paintings, this comparison is based on the portrayed object's existent-life size.

Sfumato

Predominantly associated with the paintings of Leonardo da Vinci, sfumato (derived fromfumo or "smoke" in Italian) is a method of shading and color-blending that evokes a soft, "smoky" haze. This technique is credible in the blurred background and softly-defined facial features of the Mona Lisa.

Style

A piece of work of art's manner is a nomenclature of its visual appearance. Frequently, style is characterized according to the distinctive aesthetic approach of an individual artist, art movement, period, or culture.

Tone

Tone refers to the lightness or darkness of a particular color.

Trompe fifty'oeil

In French, trompe 50'oeil means "deceive the center." It is a technique that creates optical illusions of three-dimensionality past employing eye-catching lifelike imagery.

How to Describe Art

Pere Borrell del Caso, 'Escaping Criticism' (1874) (Photograph: Collection Banco de España via Wikimedia Commons Public Domain)

Now that you've grasped the basic terms, master Fine art History 101 with these must-have fine art history books.

This article has been edited and updated.

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